This whole movie is completely ciphered around butterflies and moths: Edith is the fragile butterfly of daylight, and Lucille a powerful, ugly moth of the dark.
–
Guillermo del Toro
We talked a lot about who the main characters were, what symbolic elements they represented. Lucille is a creature of the house and that presents immediately a stark contrast with the world of Edith, the world of Buffalo. Allerdale is bleak, stark, winter, snow, blues and cyans, a world barren, a world of starvation, of nothing. The world of Buffalo is the opposite – modern, the world where the industrial revolution is in full bloom, a world of prosperity, and Edith personifies that, she is abundance, the cornucopia, wealth, golds, yellows, rich tones. Edith is the Sun and Lucille is the Moon. Edith is the butterfly, the canary in the mine. Lucille is the moth. There was no other way to obtain this mixture of frailty and strength that represents the very soul of the character. The longer Edith stays in the house, the more she fades, and she loses her bright sunny colors and becomes this sort of captive butterfly. But she never loses her inner strength – so her wings, the sleeves of her clothes, are bold, expressive.
Can’t use metal shields as a Druid? Creative alternatives, time!
Water Druid? A large, dome shaped coral, a huge seashell, a massive octopus beak, or a turtle shell
Underdark, Swamp, or Night? A giant mushroom cap, a giant bird’s beak, a slab of slate
Forest or Plains? A giant acorn cap or nut shell, or a tortoise shell
Desert? A branch of dead wood as an arm shield for parrying, or a plate from a giant scorpion’s chitin
Still not enough? How about a dragon’s belly scale or pieces from bones or fossils, like a half of a ribcage?
A carved out giant tooth? A lid of a woven basket? A piece of a giant eggshell? What about a wheel broken off of a cart?
You don’t just need to take a wooden shield. Get creative. Use a dinosaur shoulder blade!
For a guy who apparently likes western superhero comics, at least enough to like Spiderman, Horikoshi seems pretty unaware of the severely uncomfortable and horrifying parallel he’s creating with this scene.
I mean I want to believe it’s intentional, and hinting at some kind of twist in Endeavor’s supposed redemption arc, but… I don’t want to get my hopes up.