i tell all my buddies who are sharpening a stick in order to stand in the shallows and spear fish the same thing: you gotta adjust your aim to compensate for light refraction
Do it for the animation, CGI with lines edited on so that, even though the colours and shading are clearly digitally rendered, it looks like traditional 2D animation – the “illustration brought to life”, “I could draw like that someday” look.
Do it for the varied family structures. The two protagonists are stepbrothers or half-brothers, I’m not sure which but it doesn’t matter they’re brothers and it’s wonderful, and the stepfather wanted so badly for his adopted son to feel comfortable calling him dad, but the one time he said it was – it’s a powerful and painful moment, let’s just say that.
Do it for the nuanced antagonists. The villain’s kids genuinely care about each other and it’s implied they’re eventually going to have to choose between each other and their parent’s orders and I genuinely don’t know how that’s going to work out.
Do it for the racial diversity. They don’t just use other fantasy species like elves as ‘substitutes’ for having other races, they actually have multiple races among the human cast. (And implied to be among the elves as well, but we’ve only seen one elfin race so far.)
Do it for the ability diversity. Canonical use of sign language by a deaf character. I thought they were going to do something ableist about limb loss in the episode with the three-legged wolf and the ‘miracle healer’ but I was wrong and I am so happy with what they did instead.
Do it for the “enemies to allies to friends” plot arc.
Do it for the magic and the dragons and the cool special effects.
Do it so you can get this joke:
“Do it for the frog. The grumpy frog that hates you.”
and then romeo-kun and juliet-chan inevitably committed the seppuku
sugoi. what light through the window comes, desu? it is the east, and my waifu is the sun.
did my kokoro doki till now? forswear it, sight! for i ne’er saw true kawaii till this night.
o romeo-kun, romeo-kun, doushite art thou, romeo-kun? deny thy otou-san and refuse thy namae, or, if thou ja nai, but be sworn my daisuki, and i’ll no longer be a capulet-sama.
Luo Li Rong’s
figurative sculptures evoke movement and intrigue, whether it’s the
artist’s feminine, graceful figures or her otherworldly creatures. The
China-born, Belgium-based artist has received several high honors,
including commissions for the 2008 Olympic Games in Beijing. A statement
talks about the varied influences of the sculptor.
“In Belgium she remains true to her principles,” Art Center HOres
says. “She continues with her work and concentrates on the techniques of
the sculptors of Europe from the Renaissance, Baroque and other
periods. Her sculptures dazzle the viewer with their beauty,
craftsmanship and above all femininity.”
The artist is a graduate of the Beijing Central Academy of Fine Arts.